He has written books on 3D, and produced the 3DNY Seminars for Apple and Alias. Lance Evans is creative director of Graphlink Media. Vectorscope in AE video by Andrew Devis.Secondary Color Correction video by Andrew Devis.Primary Color Correction video by Andrew Devis.Color grading in layers in Adobe Premiere Pro, After Effects or Speedgrade.How cinematic color grading is actually done.
#How to a cover in adobe after effects cc 2015 pro
We are told that ProRes 422 round-trips from Final Cut Pro to After Effects and back again with few problems. Since most editing work is done in programs like Adobe Premiere or Apple's Final Cut Pro, you will need to bring your content from those programs over to After Effects, and often, back again.Īdobe's suite of tools makes this relatively easy with its application linking.
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The trick is to find what native tools best suit your needs. Working in After Effectsīut don't reach for your wallet just yet, as doing all your colour correction and colour grading work inside After Effects using native tools is totally doable, and still very versatile. This is whey many colourists and colour graders prefer working with enhancements to After Effects, using plugins like Colorista and Magic Bullet Looks, both of which help to streamline the process while continuing to work in After Effects. More likely a dedicated desktop solution can suite most heavy-duty needs, sytems like Adobe's new SpeedGrade program (part of the Creative Suite), or Apple's Color (alas, now discontinued along with Shake and other Apple solutions).īut not everyone's needs are that lofty, and production workflow can often be enhanced by keeping your work in fewer applications. The After Effects Black & White filter gives you more control than the Hue/Saturation filter, when converting a color image to black & white.įor a stylized look, we could put the Black & White effect on an adjustment layer and change the opacity of the layer or put it in a blending mode like Soft Light.If you do a great deal of this kind of work, especially grading work, then you are best served with a dedicated application, maybe a high-end system like Da Vinci’s Resolve. Dragging this to the left brightens the mid tones.ĭragging Input Black to the right increases black, while dragging Output Black to the right decreases black. Dragging Input White to the left increases brightness, while dragging Output White to the left decreases the white. The middle gray slider is gamma or mid tones. The triangles with the histogram adjust the input levels, and the sliders below that with the Black to White gradient adjust the output sliders.ĭrag the black triangle until it touches the edge of the histogram to correct the exposure of the clip. In my example, the image is flat and needs more black. I’ve turned off Photo Filter so you can see the result better.Īfter Effects Levels uses a histogram that shows you the blacks, mids, and whites of an image. If I drag Vibrance before Photo Filter, it will be boosting the original colors and not the warm color of the Photo Filter. This generally gives you more natural looking results than only increasing saturation.Īfter Effects Tip: When stacking effects, the order can give you different results. Vibrance increases the saturation of the less saturated colors in an image, but it doesn’t make the already saturated colors garish. Leave “luminosity” checked to keep the brightness the same. I used the default 85 Warming Filter and increased the density to 51% to get more of an end of day look. The After Effects Photo Filter mimics traditional warming and cooling filters that go on camera lenses. See the example images below, demonstrating how Shadow/Highlight can make your footage more dynamic. You can also choose “Blend with Original” to dial in the look and keyframe if needed.
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Then click the twirly for “More Options” to tweak the radius and black/white point settings. For more control uncheck “auto amounts” and manually drag the shadow and highlight sliders.
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By default, when you use shadow/highlight, After Effects will apply an automatic setting. Shadow/Highlight is an After Effects tool that can quickly bring out details in underexposed or overexposed footage. When you need a quick color correction fix or want to add style to your footage, each of these After Effects tools can really come in handy. You apply them to your footage by selecting the layer and going to Effect > Color Correction or by typing the name of the effect in the “Effects & Presets Panel”. These effects all fall into the Color Correction category. The following 5 effects originated in Photoshop, but are now useful image tools in After Effects. With each new Adobe release, there is more cross over of the same effects and features between Photoshop, Premiere Pro and After Effects. Quickly improve the quality of your footage or create a stylized look with these 5 simple color effects inside Adobe After Effects.